The vastness and wealth of the archaeological, historical and artistic patrimony of the nation constitute the example, perhaps most concrete, of the cultural plurality of Mexico. Thus, monuments, buildings and cultural goods of diverse orders offer testimonies of our historical panorama, sign of the multiple face of the national identity. For that reason the preoccupation to investigate, to conserve and to spread such patrimony has one long tradition in the country and that, from Independence, it has been a high-priority objective of the cultural policy.
lunes, 22 de febrero de 2010
Patrimonio Cultural Del Estado De Puebla
La vastedad y riqueza del patrimonio arqueológico, histórico y artístico de la nación constituye un ejemplo, quizás el más palpable, de la pluralidad cultural de México. Así, monumentos, edificios y bienes culturales de diversos órdenes ofrecen testimonios de nuestro panorama histórico, signo del rostro múltiple de la identidad nacional. De ahí que la preocupación por investigar, conservar y difundir tal patrimonio tenga una larga tradición en el país y que, desde la Independencia, haya sido un objetivo prioritario de la política cultural.
The vastness and wealth of the archaeological, historical and artistic patrimony of the nation constitute the example, perhaps most concrete, of the cultural plurality of Mexico. Thus, monuments, buildings and cultural goods of diverse orders offer testimonies of our historical panorama, sign of the multiple face of the national identity. For that reason the preoccupation to investigate, to conserve and to spread such patrimony has one long tradition in the country and that, from Independence, it has been a high-priority objective of the cultural policy.
The vastness and wealth of the archaeological, historical and artistic patrimony of the nation constitute the example, perhaps most concrete, of the cultural plurality of Mexico. Thus, monuments, buildings and cultural goods of diverse orders offer testimonies of our historical panorama, sign of the multiple face of the national identity. For that reason the preoccupation to investigate, to conserve and to spread such patrimony has one long tradition in the country and that, from Independence, it has been a high-priority objective of the cultural policy.
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